![]() The truss rod is at its maximum position, and so heavier strings are not recommended. The bass plays well with medium action and moderate neck relief, and is currently set up with 40-95 extra light strings. The finish on the neck is smooth and glossy. The pickguard is cracked at the output jack, and is held in place by a larger pickguard screw. The bass shows patches of haze on the body, along with numerous small dings, light scratches, and other minor blemishes. One of the pickguard screws has been replaced with a larger one to accommodate the cracked guard. Original single coil pickup and electronics, with volume/tone controls. The following specs were carefully collected and recorded by a skilled technician.įor a more detailed description and questions regarding sound, feel, or cosmeticĬondition, please visit our Lincoln Avenue showroom or call to speak to one of ourīolt-on maple neck with unbound rosewood veneer fretboard, dot inlays, and heel-adjust truss rod The serial number and pot codes date the bass to 1980. The frets are narrow and low with minor wear. ![]() Tech Notes: The bass plays well with medium action and moderate neck relief, and is currently set up with 40-95 extra light strings. Hardware: One of the pickguard screws has been replaced with a larger one to accommodate the cracked guard.Ĭosmetic Condition: The bass shows patches of haze on the body, along with numerous small dings, light scratches, and other minor blemishes. Neck Details: Bolt-on maple neck with unbound rosewood veneer fretboard, dot inlays, and heel-adjust truss rodĮlectronics: Original single coil pickup and electronics, with volume/tone controls. For a more detailed description and questions regarding sound, feel, or cosmetic condition, please call to speak to one of our experts. Submit your amp questions, recipes and life hacks to the podcast via and don't forget to share the show with friends on social media.The following specs were carefully collected and recorded by a skilled technician. a '75 Vibro Champ 1:05:55 The Gibson GA-50, thoughts and maintenance another way to ground your amp (non-three prong plug) 1:11:00 Giving yourself more spacing in an amp build to accommodate bigger hands 1:13:26 B+/power transformer questions on a 1977 Vibrolux Reverb 1:18:30 Peavey Encore 65 footswitch, redux in January ( link)ġ2:55 A 1928 National Squareneck Tricone Style 1 for sale a Recording King ampġ7:56 One thing we've learned about vintage amps over the course of this podcast, a 1960 Fender Super in factory white ( Instagram link)Ģ3:55 Choosing the ultimate pickup-testing ampģ2:54 A twin Reverb with a dying sound on the vibrato channelģ8:50 Goat judging, redux ( Instagram link)Ĥ4:39 Reverb without transformers, ie the Ampeg GU-12Ĥ6:34 A Traynor YGM-3 with an overly metallic reverbĤ8:38 Is an amp a signal pusher or a signal sucker?ĥ1:03 Music Man amps, keeping a 12AX7 from failing, 6CA7 tubes, Johnny Winter's burning Music Man ( YouTube link)ĥ3:43 Could Gibson successfully reissue a Crestline-era style amp? ĥ8:54 How important is an original output transformer?ġ:01:18 The high-pitched ringing of a V2 (12AX7) on a 5F4 clone 1:03:23 A 1968 Fender Bronco vs. :23 The Fretboard Summit Chicago: Come see Jason, Larry Chung, Grez Guitars, and more August 25-27 at Chicago's Old Town School of Folk Music ( link)ħ:02 One more prize for our 100th episode giveaway: A 1971 Skip-modded SF Champġ0:30 Skip is headed to a guitar show. One of our patrons will win a Hello Sailor Fuzz Face this month! Support us on for added content and the occasional surprise. You can also use the discount code FRET10 to save 10% off your Izotope purchase. This week's episode is sponsored by Calton Cases, Jupiter Condenser Co., Amplified Parts and Grez Guitars. yet another giveaway prize for our 100th episode! Episode 99 of our podcast and Skip has one more surprise in store.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |